Artist Statement
The images I create are a product of my past. An early passion for watercolors influences my selection of papers, as well my style and compositions, while my parents, studies in biology and art provided my interest in nature and landscapes as my subjects. Later, my career in technology and quality assurance provided me with the skills and knowledge to utilize the digital camera, software, printers and color management process to create the final print. I am first, and foremost, concerned with great composition. Landscape photography, however, is ultimately an exercise in hope. Like studio based artists, I can, and do, visualize an image I want to create, unlike the studio artist, I must find the components of the image and hope that conditions will support its creation. More often than not disappointment is on the agenda, but nature and light sometimes align creating the opportunity for that perfect image. The light for the image is then carefully “collected” in the field by paying attention to the characteristics of the light and how the camera is recording them. This ensures all necessary attributes, often through multiple images, are obtained for the final polished print. What I hope the viewer takes from my work are my love of light and nature, my patience and skills to achieve the capture, and finally, a stirring impression from the print. Each image is printed by the artist and is an original photograph (all prints printed by the original photographer are considered originals, once they are sent out they become reproductions). I go one step further than most photographers and limit the prints to 40 or less, no unlimited unumbered prints.
I have had several covers on the Tennessee Conservationist, which are provided for free to publish promote conservation. I do not particularly enter contests, I have seen so many poorly judged ones that I have lost faith in them. The primary person I try to please is myself and hopefully you, otherwise why create images? That would be boring !
Past publications;
- The Tennessee Conservationist - September / October 2022 has a Trace of Light image of Foothills Parkway on the cover.
- The Tennessee Conservationist - September / October 2021 has a Trace of Light image of Foothills Parkway on the cover.
- The Tennessee Conservationist - March / April 2021 has a Trace of Light image of Frozen Head S.P. on the cover.
- The Tennessee Conservationist - July / August 2020 has a Trace of Light image of Fall Creek Falls on the cover.
- The Tennessee Conservationist - January / February 2020 has a Trace of Light image of Little River on the cover.
- The Tennessee Conservationist - July / August 2019 has a Trace of Light image of th Milky Way on the cover.
- The Tennessee Conservationist - January / February 2019 has a Trace of Light image of Little River on the cover.
- The Tennessee Conservationist - September / October 2018 has a Trace of Light image of Autumn Tapestry on the rear cover.
- The Tennessee Conservationist - March / April 2018 has a Trace of Light image of Luna Month on the rear cover.
- The Tennessee Conservationist - November / Decemberr 2017 has a Trace of Light image of Sewanee Arch on the front cover.
- The Tennessee Conservationist - September /October 2017 has a Trace of Light image of Tremont on the front cover.
- The Tennessee Conservationist - November /December 2016 has a Trace of Light image of Grundy Forest on the front cover.
- The Tennessee Conservationist - January /February 2016 has a Trace of Light image of Great Smoky Mountains on the front cover.
- The Tennessee Conservationist - July August 2015 has a Trace of Light image of the Great Smoky Mountains on the back cover.
- The Tennessee Conservationist - November/December 2014 has a Trace of Light image of Natchez Trace Parkway on the front cover.
- The Tennessee Conservationist - January/February 2014 has a Trace of Light image of Great Smoky Mountains on the front cover.
- Validity Magazine - July 2013 - Article on Mike Serkownek /Trace of Light.
- The Tennessee Conservationist - July/August 2013 has a Trace of Light photo essay on Reelfoot Lake in the Summer.
- The Tennessee Conservationist - January/February 2013 has a Trace of Light image of Still House Falls on the front cover.
- The Tennessee Conservationist - November/December issue 2012 has a Trace of Light image of Autumn Dreams on the back cover.
- The Tennessee Conservationist - July / August issue 2012 has a Trace of Light image of Queen Anne's Lace on the back cover.
- Franklin Tennessee - Installation of 5 large prints, up to 120", at Jackson Bank headquarters. Installation was made by Nine Dots Art in Denver.
- Vanderbilt University ISIS Facility - Installation of 38 gallery wraps from 16 x 24 to 30 x 48.
- The Tennessee Conservationist - November/December issue 2010 have Trace of Light images on the front and back cover.
- The Tennessee Conservationist - September/October issue 2010 with the front and back cover as well as picture essay on the North Cumberland area.
- Nashville Arts Magazine - Summer 2010 - Photography of Amber Falls Winery and Vineyard.
- Tricia Lopez CD - Trace of Light image of Orion's Belt with a composite moon was used as back cover of Tricia Lopez's CD, Tricia is a Nashville based singer/songwriter.
- The Tennessee Conservationist - "Cypress in Rain" image was used on back cover of The Tennessee Conservationist, July/August 2010.
- Tennessee Parks and Greenways Foundation Photo of Rattlesnake Falls used in the 2010 Annual Report of the Tennessee Parks and Greenways Foundation.
- Tennessee Parks and Greenways Foundation - A Trace of Light print was presented to Governor Phil Bredesen by the Tennessee Parks and Greenways Foundation in 2010.
- Zeniths and Zephyrs - Cover image on book that is a collection of short stories by MtnValy Publishing. June 2009
- The Tennessee Conservationist - Front and back cover image of an red eft and bracken Fern, July / August 2009
- The Tennessee Conservationist - Back cover image of Buffalo River, Natchez Trace Parkway, January / February 2009
- The Tennessee Conservationist - Back cover image of Twin Arch, Big South Fork NRRA, September / October 2008
- Metropolitan Nashville Arts Commission Show - MNAC Gallery in Nashville, March - July 2008
- The Tennessee Conservationist - Back cover image of Clingmans Dome in the Great Smoky Mountains National Park. January/February 2008
- The Tennessee Conservationist - Cover image of Big South Fork and back cover from Grundy Forest SNA. September/October 2007.
- GM Photography Training - 2007 Trace of Light was selected for Digital Photography classes at the GM Plant in Spring Hill Tennessee.
- 2007 Metropolitan Nashville Arts Commission registry of artists.
- 2007 NANPA Expressions - Image was selected as one of 100 from over 3000 entries for the NANPA Expressions magazine.
- 2007 NANPA Showcase Winner- Spark's Lake and South Sister image selected to appear on NANPA (North America Nature Photographers Association) web site and at the national convention in Palm Springs in 2007.
- The Tennessee Conservationist - Cover and back cover image of MT. LeConte and Black Canyon. November/December 2006.
- The Tennessee Conservationist - Cover image of Pickett State Park arch. September/October 2006.
- The Tennessee Conservationist - Fiery Gizzard Photo Essay, July/August 2006.
- Nature Photographer, Summer 2006, Umqua river image.
- Artist of the Week, Tennessee Fine Art Commission 1/2/06.
- Maury County Arts Guild, Two month show 1/1/06 through 2/25/06.
- Nature Photographer, Fall 2005, Tree at sunrise image.
- Columbia Daily Herald, June 9, 2005.
- The Tennessee Conservationist, January/February 2002. Picture essay on the Natchez Trace Parkway.
- The Tennesseean, July 9, 2004. Article on wildflower presentation for the Tennessee Trails Association.
- Pryor Art Gallery, Columbia State Community College, One man show 6/1/05 through 7/30/05.